Get Instant Access! In short, in order to understand whether a particular lens is optically sound or not, it’s not enough merely to look at a few images that were produced with it, checking for sharpness. Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7RIII! There isn’t much third-party competition at these focal lengths and native glass is always going to guarantee perfect focusing performance with your camera. Currently, I have a Sony fe lens 28-70 mm f / 3.5-5.6 oss (it weighs approximately 300 grams length of 8 centimeters) and I would like to buy a better lens, the best macro, macro lenses that interest me weigh from 602-625 grams (Sony fe 90 mm f / 2.8 and Voigtlanger 6 5mm f / 2.0) – the question is whether these lenses will not be too heavy for sony alpha 7 I. More important than this, though, is that a prime lens will generally offer much better optics and faster light-gathering abilities for the money than will a comparable zoom lens. Especially if you’re the kind of photographer who wants to sling a single A7III camera and lens over your shoulder and just head out to shoot – without being weighed down by any extra baggage. We updated a total of 15 prime lens reviews using the Sony A7RIV Sensor test results. Camera filters are simple accessories that can make a big impact on the quality of your photos -- if you don't buy a dud. What can vary greatly is the degree to which sharpness deteriorates as you move away from a lens’s peak aperture setting. For those who can afford it, though, the 24mm f/1.4 GM is worth every cent of its asking price – and then some. Perhaps even a necessity. eval(ez_write_tag([[580,400],'4kshooters_net-box-4','ezslot_0',144,'0','0']));Also, for video shooters the optical stabilization is a handy feature. Top 7 Best Portrait Lenses for Sony a7III. If you’ve got room in your budget for a single lens after purchasing the A7III, Tamron’s 28-75mm F/2.8 Di III RXD is the one to get. Sony FE 90mm f/2.8 Macro G OSS Lens (B&H, Amazon). But that doesn’t mean those lenses need to break the bank. Today we are going to take a look at the best Sony full frame lenses as a whole. Objectively the G-Master might be the better lens, but certainly not over two-times better! Nonetheless, those happy to go with either a third party offering or a wide angle prime lens from Sony itself will find plenty of suitable options among the current line-up. Aside from this, though, there are a number of important considerations that anyone considering purchasing a wide angle lens for the a7III would do well to take into account. It is a super sharp, has a surprisingly close minimum focus distance that adds to its versatility, and handles very well. Lens Filter Size Chart for Sony Lenses. An ultra-wide angle lens of this kind will never be anybody’s tool of choice for creating a shallow depth of field. Indeed, photos shot with this lens are supremely sharp, even when the lens is used at its widest aperture setting. The only exceptions being moderate wide angle lenses – such as a 28 or 35mm lens – with very fast maximum apertures. The lens is rather minimal in design, boasting a barrel that is all but featureless. Now You Can Buy The Revolutionary Scorpion LED Light in the US (Buy 4 Get 2 Extra FREE Lights), Here’s How to Pull Off This Insanely Cool 360-Degree Roll Angle Shot with the DJI Ronin-S, How to Get the Most Out of Your Panasonic GH5 When Shooting in Low Light, URSA Mini Pro 12K Gets Better Time Remaining Readout, Sony FE 35mm F1.4 G Master Lens Announced, How to Keep a Moving Object Centered in Premiere Pro 2020, Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens (, Sony FE 100-400mm f/4.5-5.6 GM OSS Lens (. Consequently, few people will find it too much of a chore to have this thing hanging around their neck all day long. The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. Bokeh is never going to be a consideration of much importance when purchasing a lens this wide. Indeed, while the 24mm GM doesn’t boast the extreme angle of view of, say, the Batis 18mm (below), what you gain instead is an extra stop of light-gathering abilities; highly appealing for both night-sky shooters and reportage photographers alike. Indeed, those drooling over the Sony 16-35 f/2.8 GM (above), but feeling decidedly queasy at the prospect of stumping up all that cash, should give Tamron’s offering very serious consideration. With that said, while we might imagine that quality control would be very stringently enforced, this lens is known to vary somewhat in performance between samples. This being the case, bokeh is a lot less important when considering purchasing a wide angle lens than it would be with, say, a “nifty-fifty” or a portrait lens. It may not be quite a “thrifty” fifty, but the maximum aperture of f/1.4 certainly makes it a “nippy” fifty. Need to shoot handheld in low-lighting conditions? That’s right, the 55mm f/1.8 is getting long in the tooth… Best Wide Angle Prime Lenses for Sony a7 III. Of course these Sony “Zeiss” lenses are not actually made in Germany by Zeiss, but instead under-license in Southeast Asia by Sony. 5. For some photographers that will be the deal breaker. After a few months of really testing out the camera, I’ve come up with a list of the absolute best Sony A7iii accessories that have helped me accomplish shoots in a reliable and professional manner. Best Budget Lenses for Sony A7III: Our Picks 1. Covering focal lengths from very wide to extremely wide, Sony’s FE 12-24mm f/4 G lens is an excellent ultra-wide angle zoom. However, some degree of separation is achievable here when shooting up close and wide open. The best performers are the Sony FE Carl Zeiss Sonnar T* 55mm F1.8 ZA and the Sony FE 85mm F1.4 GM, which both scored an excellent 49 points. With that said, zooms are of course very handy. Additionally, Sony is not lacking for landscape lenses. The glass is still sharp and luckily this focal length doesn’t have too many issues with distortion. And precisely which focal length and features you should go for will depend in large part on your specific photographic needs. Rokinon 50mm F1.4 Lens for Sony E Mount This Rokinon 50mm lens is a great budget option for the A7iii camera. But armed with the information provided in this guide, you should have no problem choosing the best wide angle lens for use with your a7III, Your email address will not be published. And when it comes in such a small and lightweight package as this, but with a nice fast maximum aperture of f/2, the result is a supremely useful lens. This not only means the degree to which a background is blurred, but how it is blurred. It will appeal to everyone from landscape and interiors photographers to those shooting action sports and adventure photography. While there is some color fringing at wider apertures, you’ll need to look hard to notice it. Even at relatively small apertures. Best Sony lenses 2021: 16 top lenses for Sony mirrorless cameras By Matthew Richards , Amy Davies 23 July 2020 There's now a E-mount lens to suit pretty much any occasion As it is though, few lenses for the Sony a7III offer image stabilization anyway though – as it is available in-camera – so it’s not really an issue that readers need to concern themselves with. Sony FE 55mm f/1.8 ZA Zeiss Sonnar T* Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. Best Overall – Tamron 28-75mm F/2.8 Di III RXD. 1. To be sure, ultra-wide angle lenses have their legitimate uses, and for certain professionals working in specialized areas of photography (real estate being just one obvious example) they are essential tools. It’s the most responsive and versatile lens on review, and its price is reasonable to boot. Meanwhile the f/1.4 aperture also makes this a versatile tool for documentary work in low light. Or rather, images that are nicely sharp in the center of the frame. The ExpertShield Glass Screen Protector is the perfect Sony a7iii accessory, as it diminishes the worry of your glass screen bubbling up under your screen protector. But as this is a lens that will largely appeal to landscape photographers – and landscape photography rarely calls for a fast maximum aperture – this is unlikely to be of real concern to the majority of potential users. Usable on 16-35 f4 with a step up ring but the 12-24 has no filter threads so not an option there. I blog and publish articles about camera lenses here at lensguide.io. Image stabilization is almost essential in telephoto and macro lenses if the user is to avoid camera-shake. Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! Sony may lack some telephoto sports lenses, but a landscape shooter is flush with modern high quality options from Sony. Bokeh, too, is far superior here; owing to a full 11 aperture blades. Since the Sony a7iii is a touch screen, the performance quality can get degraded rather quickly if the proper protection is not used on it. But as this is a guide to wide angle lenses for the Sony a7III, it seems safe to assume that you are already well covered for stabilization. Now there are at least three options. Best Macro Lenses for Sony a7R III. Indeed, when the 24mm GM was released, many were skeptical that a 24mm at this price point – and of such discrete dimensions – could possibly deliver the pro-level image quality Sony promised. whatever your requirements, rest assured that all of the options recommended in our guide will be fully up to the rigors of even professional use. Indeed, the umbrella term “wide angle” actually covers rather a broad range of focal lengths; from the decidedly reserved 35mm lens through to a full-on fish-eye that will make anything it’s pointed at look like a poster for a Fillmore “love-in” circa 1967. These five lenses are just the tip of the iceberg when it comes to options for the Sony a7iii. All in all, this is a fantastic wide angle lens that offers stunning resolution and image quality, lovely bokeh, and performs beautifully in low light. For obvious reasons, a lens that produces smooth bokeh is usually more highly prized than one that does not. Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens (B&H, Amazon). Sony FE 24mm f/1.4 GM ($1,398): Highly recommended!Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited … Just because this is a guide to wide angle lenses doesn’t mean that the matter of focal length can just be taken for granted. But deliver it does. Great for landscapes; particularly well suited to weddings, events, documentary, and street photography; and passable for astrophotography, the Sony FE 28mm f/2 is simply a very dependable and hardworking prime lens that all Sony a7III users should consider keeping in their bag. Just expect to pay handsomely for it. A change of focal length will affect photographic outcomes in a number of ways beyond merely showing more or less of the scene; for a start, it will alter both perspective and depth of field. You can use Full-Frame FE-mount lenses on APS-C Sony E-Mount cameras, and this will give you a 1.5x crop of the lens. Despite the wide angle of view, nice enough bokeh can be achieved when shooting up close; even if this tends to be a little on the busy side. The Sony A7iii has been my best photography purchase this year and I’ve captured some amazing moments since I’ve got it. You can even use it for portraits if you want it to fill multiple spots in your bag. So what are the best camera filters for DSLRs and mirrorless cameras? In fact the 16-35mm f/2.8 is considerably more expensive than the FE 12-24mm f/4 (above), despite offering a shorter angle of view. 2. In this parallel world of photography, a 16mm lens is an inherently far sexier object than a humdrum 35mm. Like the majority of Sony’s E-mount offering, “manual” focus on this lens works via a focus-by-wire mechanism, resulting in non-linear manual focus action (boo!). So a diaphragm setting that might blow the background out to a pleasing blur on a 50mm standard lens could leave much of the background relatively sharp and recognizable when used on, say, a 20mm lens. Order Links:eval(ez_write_tag([[300,250],'4kshooters_net-leader-1','ezslot_5',147,'0','0'])); Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! As with all other lenses in the G-Master series, the 24mm f/1.4 doesn’t come cheap. At the very least, anyone considering the GM should think twice before putting down their money. If you do nab a good copy, it’s an amazing pick. As here some background blur will likely be achievable; particularly when photographing a subject up close. Lenses for Sony a7III Comparison Table. It is a very good mix of focal lengths and types and even includes some third-party options if you are looking beyond the pricier Sony-made optics. It’s hard to beat the 100-400mm f/4.5-5.6 for its zoom range and optical quality. And for a little more investment, Sony’s range of pro-level G-Master lenses brings top quality, fast-aperture, wide angle zooms into reach. If you start shooting details at a wedding, food, product, or anything else that may require getting a little closer than normal you will need a macro lens eventually. Sony’s a7III offers pro-level features and stunning image quality for not much more than the cost of a consumer camera. While an extra stop or two of aperture opening will go a long way towards compensating for this effect, be aware that even the fastest wide angle lens is never going to be able match the extremely shallow depth-of-field typically produced by a telephoto lens at even a relatively slow aperture setting. When it comes down to it then, the only major difference between the Tamron and the G-Master is that the latter offers a wider zoom range. If you wanted to criticize something I guess you can go after the fact that it is only f/4, which is fair, but for most shooting it works just fine. But as your Sony a7III comes with stabilization all of its own, really this is a bit of a non-problem. And here the task is made more difficult still by the fairly slow maximum aperture of f/4. Nonetheless, anyone who’s spent any amount of time with any of the products in this line will be well aware that Zeiss doesn’t just go around handing out licenses to any fly-by-night operation. There are also plenty of very affordable ways to enter the Sony ecosystem, with the A7III being the best … As zooms are effectively several lenses in one, manufacturers need to pack in a lot more in the way of optics. Which is perfect, because with a long reach of 300mm, this lens is perfectly suited to patiently waiting for wildlife to appear in the elements. So for those in need of a lens wide enough to cover most landscape and interior scenarios, yet also fast enough to be of use in lower-light situations, the 16-35mm f/2.8 GM can make for a highly appealing alternative to both the 12-24mm and Sony’s Tessar T* 16-35mm f/4. Best Lens For Sony a7iii: Final Thoughts. Native lenses offer better build quality and dependability than 3rd party options, since they are designed specifically for one camera brand ()All the e-mount lenses below represent the best combination of quality, value, and performance ().At A Glance: Our Top 7 Picks for The Best Sony a7III Lenses in 2021 Others produce a blur-effect that is much busier, resulting in backgrounds that distract from the subject. This is because the shallow depth-of-field produced by a fast aperture setting is entirely inappropriate for shooting landscapes. Other than that, the Sony 50mm F1.8 is definetly the best budget portrait lens for the Sony A7III. The widest lens currently available for the Sony a7III, the 12-24mm is very sharp across the frame from f/5.6 onward. 1. Neewer 55mm Lens and Filter Accessory Kit for Nikon AF-P DX 18-55mm, A7III A7（28-70mm） A6000（16-70mm: 0.43X Wide Angle Lens, 2.2XTelephoto Lenses, UV/CPL/FLD/Filter and Macro Filter Set,etc 4.2 out of 5 stars 339 For those seeking an ultra-wide angle lens for the a7III, the 12-24mm offers both a wider and cheaper option than the pricey 16-35mm GM. Just as well, then, that the majority of images you shoot with this lens will likely be sharply focused from foreground to infinity – meaning that you simply won’t notice any bokeh anyway. Of course, 12-24mm is a pretty extreme range, and will be of only limited use to most photographers. Of course, the 12-24mm also lacks the G-Master’s faster aperture and pro-level spec. And in this guide I will walk you through each of the main points to consider. eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_1',143,'0','0']));Sony’s full-frame mirrorless system has now been around long enough that there are too many lenses for any one person to be able to test out them all (unless that’s your job). If you are looking for some help in deciding what your next lens or lenses should be you should check out this video where photographer/filmmaker Stefan Malloch showed off his five favorites. Still. Indeed it’s a truly great lens on every front. A Little Lens Background . It is a cheaper alternative to a 70-200mm lens but is more effective at gathering light. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. As we’ve just seen though, wide angle lenses tend to struggle to blur the background at all. The Sony FE 50mm f1.8 Lens is designed for photographers and videographers looking for a fast, full-frame prime. Beyond being an excellent choice of lens for landscape photography, then, the Batis 18mm f/2.8 is also particularly well suited to night-sky photography – where the triad of a fast maximum aperture, exemplary image quality, and a wide angle of view make for a truly winning combination. As the range of wide angle lenses available for Sony’s fantastic Alpha 7III Mirrorless cameras rapidly expands, the task of narrowing these down to a definitive first choice becomes ever more difficult. Not only does this mean that zooms are invariably bigger than primes, but that shortcuts will often need to be made in terms of construction; frequently resulting in compromised image quality. With that said though, the 35mm f/1.4 does come with a physical aperture ring (indeed, it was one of the first Sony E lenses to do so), making at least this side of operation a great deal more convenient and pleasurable than many alternatives. After a few months of really testing out the camera, I’ve come up with a list of the absolute best Sony A7iii accessories that have helped me accomplish shoots in a reliable and professional manner. Seen in this light, Tamron’s offering is a very serious contender for the title of best wide angle lens for the a7III – at any price point. K&F Concept 62mm Fader ND Filter Without Cross, Neutral Density Variable Filter ND2 to ND32 for Camera Lens NO X Spot,Nanotec,Ultra-Slim,Weather-Sealed 7/10 We have selected this product as being #7 in Best Nd Filter Sony A7iii of 2020 But it must be said that the Tamron doesn’t trail far behind. Here's a lens filter size chart for Sony E Mount and A Mount lenses. - … Another option is the S&S correction lens which improves the corners by about 2 stops.they are made in 77mm and 82mm size and assist with the lens focusing on the virtual image in the corners. Meanwhile autofocus is so beautifully fast and accurate that few people will be tempted to reach for manual control anyway. ; if you’ve got the self-control, it needn’t be a problem at all. In short, if you can stretch to the asking price, there’s really very little reason not to go with the 16.35mm GM. Especially if you can buy a perfectly good lens with a maximum aperture of, say, f/4 or f/5.6 for a fraction of the price – as indeed is often the case. That being the case, zooming to a different focal length is not a valid alternative to simply moving closer or further away from the subject. Of course, with its wide angle of view and impressive optics, the 24mm GM will also appeal to those who shoot landscapes, interiors, action sports, and street photography. Be warned, though, that there is one detail that might dissuade a few landscape photographers; the 12-24mm’s (unremovable) lens hood makes it impossible to use the lens with filters of any description. Overall, this is truly a lovely lens. Tamron’s 17-28mm f/2.8 wide-angle zoom offers great functionality and beautiful optical performance at a highly competitive price. But if you do manage to achieve some separation between foreground and background, rest assured that out of focus rendering will be perfectly attractive. Peter Lindgren is here to give us a peek into his camera bag and the lenses he uses to get the most out of his Sony A7III. The most notable of these being landscape photography. Where the a7III can become more costly, however, is in purchasing suitable lenses. Weather sealing, however, is a very welcome addition. Yet many inexperienced photographers use their zooms in precisely this manner. In fact the 24mm GM produces stunningly sharp photos that maintain optical standards right across the frame and throughout the aperture range. Manual focusing is smooth and well-dampened. It wasn’t long ago that people were complaining there wasn’t a mid-range f/2.8 zoom for Sony. Samyang/Rokinon AF 85mm f/1.4 Lens (B&H, Amazon). Variable ND Filters Compared // Is PolarPro's PMVND the Best? For some photographers, this extra investment will be money well-spent. The Batis 18mm’s primary appeal simply lies in the incredible image quality and detail it is capable of producing. It also happens to be very small and lightweight compared to most other lenses of this focal length. For a start, it comes with more lens elements than the Sony (13 to the GM’s 11), resulting in very impressive bokeh (however be warned that some “onion rings” are detectable). ... GOBE ND Filters - Sony a7iii Michelle Martinez. With that said, though, the Batis’s bokeh really isn’t anything to get too excited about anyway. Thankfully, though, Zeiss has managed to keep weight rather more under control than bulk. If you can afford it, this lens is one of the best for the range if you need something for a Sony a7III. Malloch loves this one – even over the Sigma- because it is a great combination of price, sharpness, and focus performance. Although – as is customary with Sony’s lenses – it uses the focus-by-wire system. This is because the wider the focal length, the more the image is likely to be in focus from foreground to background. All lenses tend to perform their best in terms of sharpness once stopped down a few clicks from maximum aperture. Here a deep depth-of-field that sharply renders both background and foreground in splendid detail will be much more desirable. True, you don’t get image stabilization with this lens. While the lens lacks built-in image stabilization, your Alpha 7III does not. And while the 12-24mm follows the bulk of Sony’s lenses in being of the “focus-by-wire” variety, manual focus action is nonetheless satisfying and precise. First though, let’s take a look at a bunch of the main contenders – covering options for every budget. All images published at lensguide.io are either ours, authorized by the photographer, or published under creative commons commercial use license. Sony FE 100-400mm f/4.5-5.6 GM OSS Lens (B&H, Amazon). The last lens is a big one. There’s little to complain about on the autofocus front, however, as here performance is both snappy and silent. Everything got even better when the started making autofocus lenses for Sony E. One of the best is the classic 85mm f/1.4, which costs a third of that of the Sony G Master. Instead, if you are to make a serious evaluation of a lens’s optical performance, you will need to see examples shot at a variety of different aperture settings, and to check for fall-off in resolution towards the edges of the frame – particularly at faster apertures. Multicoated and featuring 12 elements in 8 groups, the 35mm f/1.4’s optical performance is nothing less than superb. In this case, be aware that you will likely need to spend a lot more money in order to purchase a zoom lens with maximum aperture and image sharpness comparable to a prime. eval(ez_write_tag([[580,400],'4kshooters_net-large-leaderboard-2','ezslot_4',146,'0','0']));4. Indeed, with an ultra-wide-angle, even just getting the background out of focus at all will be challenge enough. It’s tack sharp, even wide open, has a unique manual focus mechanism that makes everything a bit more precise, and it’ll obviously reach that coveted 1:1 magnification ratio. But with a wide array of standard lenses on offer for the a7III from both Sony and third party manufacturers, it can be difficult to know which 50mm will be best suited to your photographic needs. With their highly distorted and dominant perspective, it’s easy to see why; often the resulting photo becomes more about the lens than about either the subject or the skill of the photographer. Required fields are marked *. The Sony A7iii has been my best photography purchase this year and I’ve captured some amazing moments since I’ve got it. Hope you find them helpful, don’t hesitate to leave a comment! Often shoot fast-moving subjects and don’t want to see any motion-blur in your images? For those seeking an ultra-wide angle lens for the a7III, the 12-24mm offers both a wider and cheaper option than the pricey 16-35mm GM. That does not front, however, you should expect to see both noticeable corner-softness and vignetting shooting. 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